#First Time Film Session 2019

[meazalykov]

on top of the world

alex morgan x actress!reader

summary: 2019 was the biggest moment in your career, and hers.

2019 is a busy year. endgame, the film you've poured your heart into for the last couple of years, is about to hit theaters, and it’s set to be one of the biggest movies in history. 

the buzz around it is insane—press tours, interviews, red carpets. you’ve barely had time to breathe, but there’s something, or rather, someone, constantly on your mind. alex morgan.

your relationship with alex has always been something special. it's been private, quiet—at least as much as it could be, considering you’re both public figures. her, one of the biggest stars in women’s soccer, and you, one of the biggest actresses in hollywood. 

the rumors about you two have been swirling for months, ever since that time the media caught you at one of her orlando pride games, but you’ve both kept things under wraps. still, it’s getting harder to hide how deeply you care for each other.

alex is about to head to france for the world cup, and you’ve promised yourself you’re not going to miss a single one of her matches, no matter how crazy your schedule gets. she’s been laser-focused on the tournament, and you’ve been equally invested in your work, but that doesn’t stop the late-night texts, the phone calls after her training sessions, the video chats where she shows you around their team hotel.

“are you nervous?” you ask her during one of those late-night video calls, your phone propped up on your pillow as you lay in bed.

“a little,” she admits with a small smile. “but mostly excited. it’s the world cup. we won last time and i have confidence that we will win again.”

“yes! and you’re going to crush it,” you say confidently, leaning in closer to the screen as if that could somehow bring you closer to her. “i know you will.”

“i wish you could be here,” she says, her voice soft, a little wistful.

you feel the same ache in your chest. “me too.”

the group stages kick off, and despite your packed schedule, you make time to watch every game. sometimes, you’re in a hotel room in new york after a bunch of press interviews; other times, you’re sitting on the couch at home, gripping a cup of coffee as the u.s. takes the field. 

your heart races every time alex touches the ball. she’s brilliant—strong, fast, lethal in front of goal. you scream when she scores her first goal of the tournament, jumping off the couch like a little kid, and immediately text her afterward.

“did you see it?” she asks later, when she had a few minutes back in the hotel room before she went to sleep.

“i saw everything,” you reply. “you are incredible. i’m so proud of you.”

you’re glued to the screen through each stage of the tournament. when the u.s. faces france in the quarter-finals, you find yourself on the edge of your seat, heart in your throat. 

it’s a tough game, and alex looks exhausted, but when the final whistle blows and they’ve won, you exhale a breath you didn’t even know you were holding.

then comes the semi-final against england. by now, you’ve memorized every corner of your living room, pacing nervously back and forth. 

it’s a tense match, but when alex scores that iconic goal, raising her hand in that cheeky tea-sipping celebration, you burst out laughing, pride swelling in your chest.

“i can’t believe you did that!” you text her after the game, still grinning.

“had to,” she later replies with a wink emoji. “for the drama.”

the u.s. wins, and with that victory, they’re headed to the final. and that’s when you make your decision. 

no matter how packed your schedule is with the upcoming premiere of endgame, you have to be there for alex. you clear a few days, book a flight to france, and don’t tell her a word about it.

when you land in lyon, your heart is racing. you can hardly believe you’re here, sitting in the stands with alex’s family, her sisters beside you, chatting excitedly about how well she’s been playing. 

the fans around you are buzzing, and a few of them notice you, pointing and whispering. the rumors about you and alex have never stopped, and your presence here only fuels the fire.

“you think she knows you’re here?” her sister, jeni, asks, a smirk playing on her lips.

“nope,” you reply, feeling a thrill run down your spine. “it’s a surprise.”

the stadium is electric. the u.s. faces off against the netherlands, and the stakes couldn’t be higher. you sit on the edge of your seat, fingers crossed, your eyes never leaving alex. 

she’s a warrior on the field, pushing through exhaustion, chasing every ball, and leading her team with that fire you fell in love with. when megan rapinoe scores the first goal from the penalty spot, you leap to your feet, screaming with the crowd. then rose lavelle seals it with a second goal, and that’s it. 

the u.s. are world champions again.

tears prick your eyes as the final whistle blows. you watch alex drop to her knees, overwhelmed, before being swarmed by her teammates. 

the celebration is wild, but you’re still holding your breath, waiting for the moment you’ll finally see her.

and then, there she is, searching the stands, her eyes scanning the crowd. when she spots you, her face lights up like the fourth of july. without hesitation, she runs over, her smile wide and tears of joy glistening in her eyes.

“you’re here,” she breathes, pulling you into a tight embrace, her hands gripping the back of your neck.

you laugh, your heart racing in your chest as you cling to her. “of course i’m here. i wouldn’t miss this for the world.”

she pulls back slightly, her forehead resting against yours, her breath shaky. “you’re supposed to be in l.a. for the premiere.”

“i’ve got a few days,” you say, brushing a stray lock of hair from her face. “you were worth the trip.”

her eyes fill with emotion as she cups your face with both hands, her thumb gently stroking your cheek. “i can’t believe you did this.”

“you’ve done so much for me,” you whisper, your voice thick with emotion. “this was the least i could do. you’re my world, alex.”

“i love you,” she says, her voice barely audible over the roaring crowd.

“i love you too,” you reply, and the kiss you share feels like the perfect ending to the perfect day.

four days later, you’re back in los angeles, decked out in a designer dress for the endgame premiere. the energy is electric, the press is everywhere, and fans are lining the streets, eager for a glimpse of the stars. 

you’ve done the red carpet, given interviews, posed for countless photos with your co-stars. but now, as you wait in the hallway for the theater to open, you’re chatting with scarlett, trying to keep your nerves at bay.

“you nervous?” she asks, grinning as she adjusts the hem of her dress.

“always,” you admit, laughing softly. “no matter how many of these i do, it never gets easier.”

then, you feel it—those familiar hands resting on your shoulders. your heart skips a beat, and you turn around, a huge smile already forming on your face. 

there, standing in front of you, dressed in a sleek black suit, is alex.

“alex?” you gasp, eyes wide with disbelief. “what are you doing here?”

she grins, her eyes sparkling with that familiar mischievous glint. “i couldn’t let you have one of the biggest nights of your life without me. you came to france for me, so i had to be here for you.”

you throw your arms around her, pulling her into a tight hug, the world around you fading away. “you didn’t have to do this.”

“yes, i did,” she says softly, pressing a kiss to your forehead. “you’re my world too, you know.”

you pull back just enough to look into her eyes, your heart swelling with so much love it feels like it might burst. 

“we’re really doing this, huh? the whole “on top of the world” thing.”

alex laughs, nodding. “yeah, we really are.”

and as the theater doors open, the lights flashing and the crowd cheering, you know in your heart that nothing will ever break what you have.

masterlist

[cosmicalls]

if you like dead poets society, you may like these!

just for fun: a little list of movies, shows, and books i like that i feel have something in common with dps. hopefully you'll find something you'd like, too!

not in any particular order. just the order that i thought of them in really

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A Separate Peace

by John Knowles - published 1959

a coming-of-age novel set at an all-boys new england boarding school. follows two boys, Gene and Finny, and their experiences during the summer and winter sessions of 1942. talks a bit about WWII and what role the boys may have to play in that, but it stays pretty focused on the school and the emotions involved during this time in one's life. all the growth and transformation and oddly homoerotic, perhaps very codependent, friendship of a bildungsroman that we love to look for.

one of my personal favorite books, even considering that it was assigned reading. i truly believe many of you would like it and i know for a fact some of you can vouch for me

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The Perks of Being a Wallflower

by Stephen Chbosky - published 1999 movie adaptation: dir. Stephen Chbosky - released 2012

follows Charlie and his general struggles of high school and with being, well, a wallflower. from goodreads: "Caught between trying to live his life and trying to run from it puts him on a strange course through uncharted territory. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and The Rocky Horror Picture Show, when all one requires is that the perfect song on that perfect drive to feel infinite."

very emotional. that's all! i preferred the movie, but i liked the format of the book being completely in letters that Charlie was writing. they're both good! (if you watch the movie, the english teacher's name is Mr. Anderson. so do with that information what you will...!)

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Matilda

by Roald Dahl - published 1988 movie adaptation: dir. Danny DeVito - released 1996 musical adaptation: dir. Matthew Warchus - released 2022

a young girl with an aptitude for reading discovers she has telekinetic abilities at the same time she begins attending school. unfortunately, the principal is an extremely harsh woman, and none of the students seem to enjoy it there. Matilda uses her courage and newfound powers to change her environment for the better, both at school and in her abrasive home.

such a good movie, a childhood favorite. the musical has a great soundtrack too!

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Good Will Hunting

dir. Gus Van Sant - released 1997

a janitor is recognized as a mathematical genius by an MIT professor, and he goes on an emotional journey to embrace his intellect. starring Robin Williams, our dearly beloved inspiration, as the therapist Will goes to see for much of the film.

i only saw it once and my description is lacking but ooh it hurt...... just trust me on this one

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A Series of Unfortunate Events

by Lemony Snicket - published 1999-2006 tv series adaptation: aired 2017-2019

JUST HEAR ME OUT ON THIS ONE okay. it's about a trio of siblings, orphaned, who are shuttled from one parental unit to another while being followed by a man after their immense wealth. they quickly discover they are in the midst of an intellectual conflict in a secret organization. they must rely on only each other, seeing as all the adults around them are wildly incompetent and/or unhelpful. and it is filled to the brim with literary references!!

both versions have really fun and witty narration, and the tv adaptation is extremely faithful. i don't know how else to describe it without going overboard so i'll settle for not descriptive enough! just trust me. yes it is a kids' series and yes it is one of my favorites ever. it's the vibes of it all

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If We Were Villains

by M.L. Rio - published 2017

about a group of Shakespeare theater students at a very pretentious arts school who find themselves in a very high-tension dynamic following a disaster that occurs after their halloween performance of Macbeth. lots and lots of Shakespeare, lots of dramatics, and the book itself is divided into five acts.

i finished this in about two nights and it was extremely creatively inspiring. it was a bit predictable, but that's not a bad thing. it still had me clutching my pearls and dropping my jaw

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"The Artist of the Beautiful"

by Nathaniel Hawthorne - published 1844

a romantic era short story about a man who feels utterly trapped by his occupation. he would rather concern himself with the delicate beauty of nature, and he attempts to realize this in his passion project - much to the disdain of the people around him.

a bit of a sneak sorry. i just think it's just in line with neil's whole thing you know. it's a lot of long and flowery sentences but it works really well i promise

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The Breakfast Club

dir. John Hughes - released 1985

the letterboxd synopsis really says it all: "They only met once, but it changed their lives forever. | Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. The disparate group includes rebel John, princess Claire, outcast Allison, brainy Brian and Andrew, the jock. Each has a chance to tell his or her story, making the others see them a little differently – and when the day ends, they question whether school will ever be the same."

i don't have much to add and to be honest! kind of a stretch for this list! but i have faith

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obviously there are other shows and movies with the dead poets society leads, but i wanted to sort of branch out a bit for the bulk of this list. i will still list the ones i had in mind though

House M.D. (2004-2012) - tv series about genius diagnostician Dr. Gregory House and his team at a hospital in new jersey. Robert Sean Leonard stars as House's best friend and head of oncology Dr. James Wilson. very comedic but also very heartwrenching.

Tape (2001) - three friends meet at a motel room and dredge up and argue over unpleasant events of the past. starring Ethan Hawke and Robert Sean Leonard.

Before Sunrise (1995) - from letterboxd: "A young man and woman meet on a train in Europe, and wind up spending one evening together in Vienna. Unfortunately, both know that this will probably be their only night together." Ethan Hawke plays one half of the lead duo.

and yeah there's a LOT more but those are the ones i've seen and sincerely recommend. not to say others aren't good but this is a (very) curated list you see.

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phew that's not as many as i thought i had in my back pocket but it's still pretty good. plus, there's some things i havent read/watched yet that perhaps would have made it but alas! such is life

absolutely add to the list if you'd like!! let's all share our favorite stories

[thislovintime]

1967 and 2012; photos by Michael Ochs Archives and Leigh-Anne Dennison.

By popular demand, a comprehensive collection of Peter and Michael quotes:

KDWB radio, August 1967

“Michael used to run a hootenanny at the Troubadour in West Hollywood, and so I met him there. But that’s all, just to say hi to, pretty much.” - Peter Tork, GOLD 104.5, 1999

“I have a great deal of respect for Mike as a musician and a songwriter. He’s very good. He could make it on his own easily. Also he’s one of the funniest people I’ve ever met.” - Peter Tork, Flip, August 1967

“Mike’s a song writer, one of the best in the country.” - Peter Tork, The San Francisco Examiner, November 23, 1968

“I remember staying at Mike’s house in Hollywood when we first started filming the series. It was the upper story of a two-story building on a little hillside. Mike’s wife, Phyllis, was wonderful. Mike and I laughed a lot and played music together. I remember that time very fondly.” - Peter Tork, When The Music Mattered (1984)

“Michael was very kind to me at the outset. He put me up through the entire shooting of the pilot process. He and his wife had a wonderful little apartment just big enough for a guest on the day bed, which overlooked Hollywood. I remember a Thanksgiving Day when the air was crystal clear in a way that I’ve never seen it before or since in L.A., and you could see all the way out to Catalina. It was wonderful. That crystal clarity symbolizes the whole era for me. Mike and I wrote a few things together. We were very comradely and very buddy buddy, and it was a wonderful time, with Mike’s then wife, Phyllis, and Christian, their little infant baby. The early days of the pilot shooting were just great by my lights and I had a wonderful time.” - Peter Tork, quoted in Hey, Hey, We’re The Monkees (1996)

“After [Peter] went down for the first interview, I asked how how he felt he did and he said, ‘Well, it looks good. I’ll see how things go.’ And they kept calling him back. He liked Michael Nesmith. That was the first thing that happened.” - Stephen Stills, Tiger Beat, July 1967

(Please read the following quote with a grain of salt. While the author, Glenn A. Baker, interviewed Boyce, among other people, for this book, Boyce’s recollection isn’t, to the best of my knowledge and research, verified by a second first-hand account.)

“I did give Peter a voice audition on Saturday’s Child but I had to finally say, ‘look Pete, I can’t play banjo and you can’t sing. If I played the banjo I’d sound like you singing, I have to erase the tape.’ So Peter left in a huff and came back with Michael, who pulled off his motorcycle helmet, crashed it down onto the console and demanded ‘why don’t you let Peter sing? You guys never let us come to the sessions, it’s just you two with Davy and Micky.’ So I said ‘well that’s the way it should have been in the first place Michael, you know what I mean? You should have stayed with the Randy Sparks Trio.’ In the end we let him do a couple of tracks on his own just to calm the situation down a little.” - Tommy Boyce, Monkeemania: The True Story of The Monkees (1997)

“When I heard that frail banjo over the top of my 12-string [on 'You Told Me'], I thought, ‘Boy, this is good. This is really, really good.’” - Michael Nesmith, YouTube, 2019

“At the Troubadour […], Peter Tork strolled in, banjo on his knee. Later, in-between ‘Alvin’ and a great banjo finger-picker, Peter yelled a hello to Mike Nesmith, who was standing in the upstairs darkness and the two fell into a hilarious patter routine. Peter climbed out long enough to display great talent, great warmth, great humor and, in general, a great personality. Mike did the same when, later, I asked him how the album was coming. ‘Album? Oh, Uh huh. Nice weather, yes? Album’s gonna be good. How are you. Hi, Pete, how’s the album?’” - Ginni Ganahal, TeenSet Magazine, February 1968

Q: “Being that your tastes were similar, and you both were the first to leave the group, why didn’t you form a group with Peter Tork?” Michael Nesmith: “I don’t like Peter Tork — never have liked him, I don’t like him as a man. I have to qualify that now: Me not liking somebody doesn’t mean that they’re bad people — he could do a lot of wonderful things for and to me. Not liking someone to me is a very gut reaction — a very visceral attitude. The first reaction to Peter was one of dislike. I don’t like him, I have never liked him, and I probably will never like him. I didn’t enjoy playing in a band with Peter, and I still don’t. Our tastes were much the same, our political beliefs were similar, our ideas of fun, pleasure, our intellectual capacity, our ability to talk to each other — we were very much alike. I have a great respect for Peter — his technical abilities on an instrument and the positions he took were well conceived ideas, always a posture with a motive, never emotional. I don’t like my mother. She happens to be a very nice lady — never done anything that would make me not like her — but I don’t. I like my wife.” - Hit Parader, February 1972” - Hit Parader, February 1972

“There’s one song ['Come On In'] that Peter Tork sings on that Missing Links album where he sounds absolutely super. He sounds great; he’s right on the button. Sings it good and he wasn’t supposed to be a singer. The other guys were always pushing him out and Mike Nesmith was always sort of like threatening him, putting his fist through the wall doing all this kind of shit. I’m sure Peter could kick his ass if he wanted to, but he never did. Unbelievable.” - Davy Jones, The Monkees Day By Day

Q: “Are you thinking about doing any recording in the near future? An album, perhaps?” Peter Tork: “I’d like to. I haven’t got any way of getting started. If you look around, you’ll see that you’re not exactly sitting in the luxurious mansion that someday who went through the money I did would be expected to be living in. As a matter of fact, I’m living pretty close to the bone right now. I’ve got my picture out in the Hollywood circles, and I’m getting some gigs. I’m thinking about doing some commercials. If I ever get enough money together, I’m going to go into the studio and make enough demos to get an album made. I’ve got some new material I’ve written, like ‘Ladies’ [sic] Baby,’ which would make a good album cut. If worse comes to worst, I’ll just make an album myself.” Q: “Have you considered Michael Nesmith’s Pacific Arts label? Your bass and his lead guitar supplemented one another superbly.” PT: “Michael at that time was somewhat of a reticent fellow. He had a hard time giving anything away, in terms of praise. He’s changed a lot. Before the transformation, he was a pretty begrudging fellow. He was not given to compliments. I have not come to know him very well since his transformation. I was thinking about getting him involved. If I have anything to show him, I’ll definitely get it to him. I hope he’s interested.” - Blitz!, May/June 1980

“Well, I have only the vaguest memory of coming close to recording for Michael’s label. I actually believe that nothing whatever was ever done. I’m not even sure I laid down a single track. Your letter reminds me that there was some indication of a potential project, but I think that’s about as far as it went. I have no direct info about Geffen’s dumping Michael’s label. He himself might be a better source. Check out his website, videoranch.com. Thanks for asking. Take care. Peter” - Ask Peter Tork, The Daily Panic, 2008

“Michael’s in a force field of his own and not much gets in there.” - Peter Tork, TV Guide, June 2000

“I still have a lot of respect for Michael.” - Peter Tork, WDBB, February 2006

"I have a lot of respect for Mike Nesmith and we’ve structured ways to work together." - Peter Tork, Phawker, circa 2012; re-published 2019

“You should’ve heard Mike singing some of those old Jimmie Rodgers The Singing Brakeman songs. He was so good, that stuff was just — you know, that stuff just warmed the cockles of my heart, you know. He could just do that stuff all day long. Just — I could just sit at his feet and listen to that for hours.” - Peter Tork, WHNN-FM, 2012

“Well, I’ve never been really close with Michael [Nesmith] for some reason. You know, I have a lot of respect for him and admiration. But somehow we’ve never integrated. We’ve never been warm with each other. We worked together and did pretty well at it really." - Peter Tork, Clevescene, March 13, 2017

“There are two common and, to me, repugnant notions about the Monkees. Number one, that I was the only one who had any talent, which is patently absurd. It’s as unfair and as unkind as it is stupid. The other one is that I was the only musician. I wasn’t the only musician and I wasn’t much of a musician. Peter was a much more skillful player than I was by some orders of magnitude. He wasn’t a singer nor was he a writer. What I was able to do was write tunes — I could sort of pull those out of a ht. But they weren’t very good, were they? I mean, they were the tunes that were on the show from time to time, so that’s what made the, seem better than they were.” - Michael Nesmith, Monkees Tale (1985)

“Everyone was accomplished—the notion I was the only musician is one of those rumors that got started and won’t stop—but it was not true. Peter was a more accomplished player than I by an order of magnitude, Micky and Davy played and sang and danced and understood music.” - Michael Nesmith, Rolling Stone, March 8, 2012

"There really couldn't be two more incompatible characters. Mike is pragmatic, Peter is ethereal. Peter is laid-back, Mike is impatient. Mike is oil, Peter is water." - Micky Dolenz, I'm A Believer: My Life of Monkees, Music, and Madness (1993)

"I will miss him — a brother in arms. Take flight my Brother." - Michael Nesmith, Facebook, February 2019 Q: "You were talking to the press in Australia a few months back and you said something about Peter Tork that surprised a lot of fans. You said, 'I never liked Peter and Peter never liked me.' I’d never heard that before." Michael Nesmith: "It was something that was known on the set [of the Monkees’ TV show]. They knew Pete and I went our own ways. This wasn’t a dislike of someone who had committed some infraction against me or some sort of crime. It was just, 'Oh, this guy eats those little noodles and I don’t like ’em and I can’t eat with the guy.' It was kind of an off-putting thing. It was, 'Oh, he likes to play paintball and I don’t like to play paintball.' So we never played paintball, but every once in a while we’d find ourselves in the same paintball park because we owned it, so we had to keep it clean and do all the stuff we had to do and we did do it. We didn’t have too many civil words to say to each other, but we also didn’t fight all the time. We just didn’t say much. There wasn’t a lot to say. Peter would play me the songs that he thought were good and I didn’t. And I would play him the songs I thought were good and he wouldn’t. Then we just left it at that. Partners in silence." - Rolling Stone, December 3, 2019

Australian TV interview, 2019

[ateez-himari]

FORMER LEADER MEETS MAKNAE

At the request of former B.A.P leader, Bang Yongguk, a conversation sparks with one of the industry's most artistic idols.

May 21, 2024 (1:28PM)

Third generation rapper Bang Yongguk uploaded an unexpected video to his YouTube channel, around a month following his new album, in which he documented a meeting with ATEEZ's youngest member and songwriter, Himari. In contrast to what many believed when seeing the title it was in fact not their first time interacting with one another as they had filmed a dance challenge in the summer of last year. On that day however it was arranged by the senior artist due to his curiosity regarding the vocalist's impressive credits as well as her unique artistic expression, claiming that he viewed her as one of the industry's rare aces.

Despite B.A.P's unfortunate disbandment in 2019 following a lawsuit against their company, it was expressed multiple times throughout the years that she held a great respect for him and found great inspiration in the way that he pursued his own creativity. It was through one of those passionate ramblings that the rapper caught wind of the maknae's name, the young woman immediately catching his attention with her often emotional additions in b-sides.

'There was something about the way you wrote certain feelings, the strict work ethic that you showed in videos and the realness in your personality that made me curious. You're also producing quite a lot for someone this young so I wanted to meet you, to see who was the girl everyone started talking about, good or bad comments alike.'

In the beginning of their conversation he mentioned that listening to the single 'Pray', made in collaboration with Agust D, was especially painful due to the vulnerability being expressed through such raw lyrics that seemed poured directly from their hearts. However it was her solo track 'Shadow' in the group's most recent album that made the heaviest impression not only for the heartbreaking side of the story but also the interesting production techniques she had used, each being carefully crafted to fit a specific narration.

Throughout the two hour long video netizens were able to witness a connection slowly form between these two artists, with the eldest having prepared some activities such as a short painting session as well as cooking dinner to break the ice. Despite the maknae's initial nervousness towards being alone with one of her favorite rappers , conversation seemed to flow rather easily due to her senior's attentive listening and their time together ended with a warm hug along with a promise to meet again in the near future.

The conversation topics ranged from lighthearted ones such as small anecdotes from their respective lives or the senior's endless curiosity regarding his junior's creative mind to much darker themes such as mental health, but in the end both seemed so at ease with one another's presence that there was never a dull moment.

'You seem like you make friends very easily' Yongguk had remarked. 'Your personality is very warm, even though when you first arrive at my home you seemed very nervous...I think I saw your hands shaking a little bit.'

The last few minutes revealed that he had requested she leave the painting done during their short activity, proceeding to frame it in his living room, claiming that it added life into the house and would ensure he is always reminded of this encounter. The vocalist on the other hand excitedly showed off a polaroid already placed in her phone case to the camera, the image simply being the two posing cutely yet meaning much more to her as the rapper had been an idol of hers for a very long time.

Other artists from older generations have expressed a desire to meet the rapidly rising songwriter, with legendary rapper G-Dragon sharing songs produced by her through Instagram stories with encouraging phrases in which he often conveyed support.

'The songs she created for Taemin had something that seperated them from other albums coming out at the time, so I really want to work with her one day.' Taeyang (BIGBANG)

'We've talked briefly a few times and it always seemed like she had so many things to share, so I'd like to hear them. She's also one of the few people who truly excels in every aspect of the industry.' Moonbyul (MAMAMOO)

'Your sister [to Yoongi] takes after you for a lot of things it seems, both with the outspoken lyrics and never ending creativity. How old was she when she started working with Taemin...18? She's still young but already so influential. You should bring her with you next time so we can meet.' IU

'She's worked with us...twice I think, on 'Reason' and 'NO LIMIT'. I didn't see her a lot because of schedules but when I listened to the drafts she made I was really impressed by what she created alone. She's improved a lot since then so I'd like to meet up for an album again.' Joohoney (MONSTA X)

While the maknae is sparking quite the conversations amongst the industry's most notable names, ATEEZ as a whole have been rapidly climbing their way to the top lately, with media outlets granting them the title of 'Powerhouse of K-Pop'. Netizens are already bracing themselves for the upcoming comeback on May 31st, which promises to shake the charts once more as they challenge themselves to work even harder.

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[nausicaamusiclover20]

Hello)) Blame this on my grandma, I watched too many soap operas with her growing and we still do it 😂

So basically 2022 James x younger reader maybe she was his sponsor after he got out of rehab after 2019 relapse and she stayed him him during the pandemic (let’s pretend he divorced earlier than 2022, im not a home wrecker) and obviously it evolved into romance. Since he got vasectomy, they kinda weren’t very careful with protection, but it’s actually proven that these can fail, so she finds out she’s pregnant. Of course he doesn’t believe her and thinks she cheated and demands a DNA test. Having no options and feeling betrayed by his behavior, she moves out and they do a tests a few months later. Of course it comes back confirming he’s the father, but she also sends him something like NDA saying that she will never file for child support and will not disclose him as the father + the note that she doesn’t want to do anything with him as he betrayed her by accusing her of cheating. So the moment they have a break in tour he comes to beg for forgiveness? It takes her a while but she finds the strength to forgive him? And then she even joins them on tour and even goes to labour at the end of one of their shows (that’s actually happened with one of the fans)

Damn those TV shows did make sure my fantasies run wild 🫢

Don’t worry, how many times watching a series I made a lot of mental films (and it’s better not to know them🤭) I hope you will like it!❤

A New Beginning

I could still hear the echo of the accusations in my head, ringing louder than the sound of the tour buses or the distant crowds that gathered for Metallica’s show tonight. “You cheated, didn’t you? You couldn’t have gotten pregnant by me… it’s impossible!”

I closed my eyes, trying to suppress the flood of hurt that still rose in my chest every time I thought about it. I’d never cheated, never given him a reason to doubt me. I had stood by him through his darkest moments, through rehab, through the pandemic lockdowns when the world felt like it was falling apart. I gave him my heart, my love, my everything. And in return, he gave me distrust.

The memory of how we met flickered in my mind like an old film reel—those early days, before the weight of fame and fear crushed us under its heel.

I had been his sponsor after his 2019 relapse. A fresh face among the older, battle-worn members of the program, I hadn’t expected to be assigned to someone like James. I still remember that first meeting—how he slouched into the room, the weight of the world on his shoulders, his eyes distant, almost lifeless. His tattoos were visible beneath the sleeve of his worn-out leather jacket, and his hands trembled slightly as he held a paper cup of coffee, more like a shield than a drink.

He was a legend, a rock god, someone I had grown up listening to, but none of that mattered in that room. There, he was just another man struggling to find his way back from the brink.

I had introduced myself, unsure of how someone like me could even begin to help someone like him. But as the days passed, we found an unexpected rhythm. He was raw, real, and unfiltered, and I wasn’t afraid to call him out on his bullshit when he tried to downplay his struggles.

“You’re not invincible, you know,” I had told him once during one of our private sessions, my arms crossed as I stared at him down. He had tried to laugh it off, but I didn’t let him. “You might be James Hetfield to the world, but in here? You’re just another person trying to get better. And if you want this to work, you’re going to have to face the hard stuff.”

To my surprise, instead of pushing back, he had listened. Really listened. And slowly, over time, the walls he had built around himself started to crumble. We spent hours talking, not just about his addiction, but about life, music, and everything in between. I saw glimpses of the man beneath the rock star, the man who had been buried under years of fame and pressure.

The pandemic hit not long after, and somehow, through all the uncertainty and isolation, we grew closer. What started as a professional relationship morphed into something else—something deeper, more intimate. The nights were long, filled with shared stories and quiet moments where it felt like we were the only two people left in the world. And somewhere in the midst of it all, I fell in love with him.

He was still broken in so many ways, but I loved him for it. I thought I could help him heal. I thought I could be the one to put him back together.

But I hadn’t expected him to break me in the process.

Now, months later, here I was, sitting alone in the apartment I had moved into after his betrayal. The DNA test had proved him wrong, of course. The baby was his. But that didn’t matter. Not anymore.

I absentmindedly placed a hand on my growing belly, feeling the flutter of movement beneath my fingertips. A bitter smile tugged at my lips. He knew now, without a doubt, but I couldn’t bring myself to care about what he thought. I had sent him the NDA weeks ago, making it clear I didn’t want anything from him. No child support. No public acknowledgment. Nothing. It was his choice to betray me, to accuse me of something so vile, and I would never forget that.

A knock on the door pulled me from my thoughts. I hesitated for a moment, not expecting anyone. Slowly, I stood, heart racing for reasons I couldn’t quite place, and opened the door.

It was him.

James stood there, looking more worn out than I had ever seen him. His eyes were puffy, as if he hadn’t slept well for days, and his shoulders were hunched, weighed down by regret. His gaze met mine, and for the first time in months, I saw something I hadn’t expected—tears. He blinked them away quickly, but not before one slid down his cheek.

“What are you doing here?” I asked, keeping my voice steady even though my emotions were anything but.

He shifted nervously, his hands clenching and unclenching by his sides. “Can I come in?”

I wanted to slam the door in his face. I wanted to tell him to leave and never come back, but a part of me—a small, treacherous part—still longed for the man I had once loved, the man I had thought he was before everything went to hell. So, against my better judgment, I stepped aside and let him in.

The silence that settled between us was heavy, oppressive. I crossed my arms over my chest, waiting for him to speak, to explain why he was here after everything he had done.

“I’m sorry,” he finally said, his voice rough and low. “I’m so sorry.”

I didn’t respond. What was there to say? Sorry wasn’t going to erase the hurt or make up for the months of pain I’d gone through because of his accusations.

“I was scared,” he continued, taking a hesitant step toward me. “I didn’t want to believe it because… I didn’t think I deserved it. You, the baby… any of it. I thought it was too good to be true, and I freaked out. I messed up. I know I did.”

“Damn right, you did,” I snapped, my emotions finally bubbling over. “I gave you everything, James. I stood by you when no one else did, and the second I needed you, you turned your back on me. You accused me of cheating—like I was some random groupie. Do you have any idea how that felt?”

His eyes dropped to the floor, his shoulders slumping in defeat. “I know. I know, and I hate myself for it. I was wrong. You didn’t deserve that.”

I swallowed the lump in my throat, trying to keep the tears at bay. “Why are you here? What do you want?”

He looked up at me, his eyes brimming with emotion. “I want to make things right. I can’t take back what I said, but I want to be there for you—for the baby. Please… I can’t lose you.”

For a long moment, I just stared at him, the weight of his words hanging in the air. His lips trembled, his hands shaking as they reached out for me, and that’s when I saw it—more tears. They fell silently, streaking down his face, and it shook me to my core. James Hetfield, the man who never showed vulnerability, was standing in front of me, broken and pleading.

“You already lost me,” I whispered, feeling my heart crack all over again. “The moment you accused me, you lost me.”

He took another step closer, his hands reaching for mine but stopping short when I didn’t move. “I’ll do whatever it takes to make it up to you. I’ll spend the rest of my life proving that I’m sorry, that I love you.”

I blinked back the tears that threatened to spill over, torn between the love I still felt for him and the pain he had caused. “It’s not that simple.”

“I know,” he said softly, his voice breaking. “But I’m not giving up. I’m going to fight for you, for us. I love you. I always have.”

The vulnerability in his voice, the raw emotion, broke something in me. For the first time in months, I saw the man I had fallen in love with, the man who had been buried beneath his fears and insecurities.

“I don’t know if I can trust you again,” I admitted, my voice barely above a whisper.

James nodded, his eyes glistening. “I’ll earn it back. I promise.”

We stood there, both of us broken and scarred, but maybe—just maybe—there was a chance to heal. I wasn’t ready to forgive him, not yet. But as I looked into his eyes, I realized I wasn’t ready to walk away either.

___________________________________________________________

Months had passed since that heart-wrenching conversation, and though the pain hadn’t entirely vanished, we had started to rebuild—piece by fragile piece. James and I had taken things slow. He had apologized countless times, not only with words but with his actions, showing up for every doctor’s appointment, staying by my side during the hardest days of pregnancy, and fighting to earn back the trust he had shattered.

By the time the band’s tour kicked off, I had grown more comfortable with the idea of us—tentatively agreeing to join him for a few weeks. There was something cathartic about seeing him on stage, in his element, pouring his heart into the music. It was the same passion I had fallen for, the raw energy that made him who he was.

That night, the crowd roared as the band played their set. I stood backstage, watching James from behind the curtain. The energy of the performance was electrifying, but as the night wore on, I felt an unusual pressure in my belly. It started out mild, but soon a sharp pain gripped me. I pressed a hand to my stomach, my breathing becoming shallow.

I knew what it was. The baby was coming.

Another wave of pain surged, and I leaned against the wall, trying to steady myself, but it was no use. My knees buckled slightly, and panic flared in my chest. No, not now, not during the concert!

I winced, unable to call out over the blaring music and the chaos of the backstage area. The crew was bustling around, completely unaware of my situation. My vision blurred, but I managed to catch the eye of a stagehand nearby, my voice barely a whisper as I gasped, “Get… James…”

Her eyes widened in alarm when she saw the state I was in. Without hesitation, she rushed off, navigating through the flurry of activity until she reached the side of the stage. She tapped on the shoulder of the band’s tour manager, urgently pointing toward me, and within moments, a message was relayed to James over the in-ear monitors.

It didn’t take long. Within seconds, James glanced toward the side of the stage, his expression shifting from focused to alarmed. The guitar in his hands stilled mid-song, and the rest of the band kept playing as he tore off his in-ear monitors, rushing offstage toward me.

By the time he reached me, another contraction hit. I was clutching my stomach, struggling to breathe.

“The baby’s coming,” I managed to say between breaths, my voice weak. “Now.”

James’ face went pale. “Oh God, okay, okay… we need to get you to the hospital.”

He quickly helped me up, supporting me as I leaned on him, and together we moved through the maze of equipment and crew members. The sirens wailed in the distance as we made our way to the ambulance parked outside.

Once inside, James squeezed my hand tightly, his brow furrowed in worry. “You’re going to be okay. I’m right here,” he said, trying to keep his voice steady, but I could hear the tremor beneath it.

The drive to the hospital felt like an eternity, each contraction more intense than the last. James stayed focused on me, whispering encouraging words, but I could see the tears welling up in his eyes.

Finally, we arrived at the hospital, and I was rushed into the delivery room. The world outside faded as I focused on the task at hand, the pain consuming me but accompanied by James' steady presence.

 

After what felt like hours, the moment finally arrived. The cries of our baby filled the room, and I looked at James, who stood by my side, tears streaming down his face.

 James leaned down to press a soft kiss to my forehead, the weight of the past finally began to lift. The room was filled with the soft coos of our newborn daughter, and in that moment, I felt a warmth spreading through me—a mixture of hope and love that I had thought lost forever.

“Can you believe we made her?” James asked, his voice barely above a whisper as he glanced down at our daughter, who was peacefully nestled in my arms.

I smiled, my heart swelling with emotion. “She’s perfect.”

“Just like her mom,” he said, looking back at me with eyes full of adoration. There was a sincerity in his gaze that sent shivers down my spine, a reminder of everything we had been through together.

He gently reached for our daughter, and I carefully transferred her into his arms. The moment our baby was in his embrace, his expression softened, transforming into one of sheer wonder. He gazed down at her as if he had just been handed the greatest treasure in the world.

“Look at her,” he murmured, his voice thick with emotion. “She has your smile.”

I watched as James became utterly enchanted, rocking her softly as if to soothe a restless heart. “But those eyes,” he continued, his breath catching in his throat, “she has my eyes.”

I leaned closer, gazing at our daughter, and my heart swelled with love as I saw the truth in his words. “You’re right. She has your eyes,” I said, my voice barely above a whisper. “And your spirit, I can tell already.”

James grinned, his eyes glistening with unshed tears. “I can’t believe I get to be her dad,” he said, emotion pouring from him. “I promise to always be here for you, for both of you. I want to build a future—a real future—with you.”

A thrill of excitement raced through me. “Really? You mean that?”

“Absolutely,” he replied, looking up at me, his gaze steady and sincere. “I’ve learned so much about myself, about us. I won’t let fear or mistakes dictate our lives anymore. I want to be a family, to share every moment with you.”

As he continued to cradle our daughter, a soft smile spread across his face. “I can’t wait to teach her about music, to show her the world,” he said, his voice filled with warmth. “I want to be the dad who’s always there, who shows up to every recital, every birthday. I want her to know she’s loved.”

My heart raced at his words, overwhelmed by the love radiating from him. “I want that too,” I said, feeling tears of joy prick at my eyes. “I want to share everything—the good and the bad.”

James took my hands in his, his grip warm and reassuring. “Then let’s do it together. One step at a time.”

As he leaned in, our foreheads touched, and the world around us faded into a soft blur. In that moment, everything felt right. We were two people, imperfect yet wholly devoted to each other, standing on the brink of a new chapter.

“I love you, James,” I breathed, feeling a sense of peace enveloping me.

“I love you too,” he replied, his voice thick with emotion. “Always.”

With a renewed sense of hope for our future, we shared a tender kiss, the promise of a beautiful life ahead lingering in the air.

As he continued to cradle our daughter, he looked down at her with a mixture of awe and determination. “You’re going to be so loved,” he said, his voice a gentle whisper. “And we’re going to take care of each other, always.”

Together, we would face whatever came next—hand in hand, heart to heart, as a family.

[thoughtroomba02]

TS Film Thoughts Masterpost

As promised.

Let's start things off -

Breaking News - Headlines about the film

Dec 9 2022 - her film contract makes headlines

From what I can find, this is the first that anyone knows she is producing a film. There are no details released other than it's a script she wrote and she will be directing the film.

The next we hear is Dec 7, 2023 from the Tennessean --

It's been crickets, essentially. There are no public details I can find about the film anywhere including cast list, release date, content, ETC.

Interestingly, two days ago -- though uncertain of validity of source -

I don't have access to puck so cannot confirm what the article says; but this was recent! So; in theory, she finishes her Eras tour and moves directly in to film.

More on how Disney+ ties in our next section...

Who is Searchlight Pictures?

Created April 29, 1994 - formerly known as Fox Searchlight/under 20th/21st Century Fox

Biggest success: Slumdog Millionaire 187 Academy Ward Nominations with 46 wins; 5 Best Picture since 2009 117 Golden Globe Nominations; 51 wins 66 Screen Actors Guild Award Nominations; 55 wins 137 Independent Spirit Awards, 54 Wins

Other Notable Films: 12 Years A Slave; Black Swan; Napoleon Dynamite;

20th century fox, prior to the creation of Searchlight, was prominent in the specialty and independent films market in the 1990s; it carried this interest into Searchlight, at least initially.

In 2012, it was incorporated into Murdoch's 21st Century Fox. Barf.

On Dec 14, 2017 Disney put their first bid out on 21st Century Fox/Fox Searchlight. On March 19, 2019 the companies merged and Disney acquired Fox Searchlight; Fox News notoriously split independently. Disney dropped the name Fox; so now we have just Searchlight Pictures. There is also a Searchlight Pictures TV and shorts production, which for the sake of time I will not get into.

For Funsies, here is a short film (Jun 18 2019, after Disney acquired) produced by them called....LAVENDER. About a gay man who has a relationship with a married gay couple. Can't make it up.

Anyway, since merging with Disney especially, the company seems to be LGBTQ friendly.

And yes, Joe Alwyn has worked with Searchlight, with tweets I found dating back to 2018 with Searchlight UK. Make of that what you would like, I have no real objective commentary on the matter.

Taylor as a Director

She also directed the Long Pond Studio Sessions and Miss Americana.

Most of her directorial work has been since the Lover debut. Most of which is very queer coded/sapphic.. and again, make of that what you will.

Appearances/Pap Walks, ETC

Since her split from JA, we have seen her with multiple friends in the film industry. Among these: Ryan Reynolds, Blake Lively, Selena Gomez, Keleigh Teller, Miles Teller, Sophie Turner, Emma Stone...

And dare I say.... Travis Kelce, who seems to want to break his way into the entertainment industry?

(aside from this headline; his failed dating show, his podcast, his multiple PR deals like with ZenWater... etc. I rest my case).

We also know there has been some B roll footage taken at the Chiefs Games.

Additionally, the media coverage of this relationship has been an absolute f*cking circus; with constant headlines of the two and their "engagement" / relationship dynamics. On Taylor's end, we have had constant references to Bejeweled (where she Ghosts); including Keleigh Teller giving her the opal ring.

The Speculation

Yall, this is my opinion - you can agree, disagree, etc; but I have no insider information. Just thoughts.

She makes her film directorial debut with Searchlight - recently acquired by Disney, who is pro-LGBTQ; and is clearly in deep with business deals with them, as seen on Taylor Nation and her Eras Tour Film.

We have rumors of her beginning her film production at the end of the ERAS tour, along with knowledge of her currently with B roll footage from chiefs games. We have multiple highly papp'ed appearances with her + TK; but also with multiple film stars, including Blake Lively (still not over that photo), Sophie Turner (I do think there's altruism here tbh on TS's end), and Keleigh. If you believe Keleigh is her stand in invisible bride.... Holy shit. Between the opal ring shutdown of the media circus as well as her and TS literally taking a page out of TSHOEH and dressing in character...

My ultimate suspicion is that she's using actual experiences of her current life-highly papp'ed - to tell her story. And that Keleigh is her stand in muse in this film.

I also think the @spade-riddles we've been getting about a final act ending, etc, pertain to her film. I don't have evidence aside from speculation.

I rest my case. Enjoy this post and make of it what you will.

[hooked-on-elvis]

[BEHIND THE RECORD - Elvis onstage from 1969 to 1977] "I Can't Stop Loving You"

Written by country singer Don Gibson, who first recorded it in 1957, RCA Victor released "I Can't Stop Loving You" in 1958, and it became a country hit single. The song was covered by many artists over the years, most notable one being Ray Charles, in 1962, due to how he turned the tune into a No. 1 single on the Billboard chart.

Elvis Presley performed the song in many iconic concerts of his career - from 1969 into the 70s.

The first time Elvis Presley was recorded singing "I CAN'T STOP LOVING YOU" was during one of the American Sound Studio sessions, on February 1969. It wasn't an official recording tho. A jam version of the tune was recorded while EP was warming up with his musicians so they could cut the songs that would be released in his LPs for the times following — "From Elvis In Memphis" being the album this recording session was intending to create at first.

Not long after this recording session, "I Can't Stop Loving You" was worked up as a number to Elvis' concerts. Rearranged, the song gained a more dramatic tone than we can listen to from how it originally sounded in Elvis' voice at the recording taped at the American Sound Studio previously, so from this moment on Elvis would perform the tune in quite a few iconic concerts of the latter era of his career, the very start being during his comeback to live performances on July/August 1969, onstage at the International Hotel's showroom in Las Vegas, Nevada.

Soundboard audios with "I Can't Stop Loving You" recorded during his concerts, including in 1969, were released on some his live albums throughout the years, such as "FROM MEMPHIS TO VEGAS (IN PERSON)" [recorded in 1969], "ELVIS AS RECORDED AT MADISON SQUARE GARDEN" (recorded in 1972) and "ELVIS: RECORDED LIVE ON STAGE IN MEMPHIS" (recorded in 1974).

Live performances of Elvis singing the song were also officially taped, and they are very known to the fans for obvious reasons because they are part of some of the most notable moments of Elvis' history as a performer.

First official taping of EP performing "I Can't Stop Loving You" live took place during one of his engagement seasons at the International Hotel on August, 1970, as released on "Elvis: That's The Way It Is" documentary, then again on April 1972, filmed for "Elvis On Tour" documentary, and not long after that another performance of this tune was filmed during the "Aloha From Hawaii via Satellite" concert, on January 1973.

BUT, BEFORE WE CAN GO TO THOSE FOOTAGES, HAVE YOU LISTENED TO THE JAM VERSION RECORDED IN STUDIO IN 1969?

— NOTE FROM AUTHOR I love sharing Elvis' performances of the same song over the years, but what I would really love you to listen to now is the 1969 jam version of the song we're talking about, for it sounds so different from the live performances the fans are already very familiar with. I didn't knew about this recording until a few days ago and I loved it so much that this track is the reason why I needed to talk about this song. You will read about the moment EP was recording this song soon after.

Elvis Presley in the waiting room of the American Sound Studio, early 1969.

▼ FEBRUARY, 1969: "I CAN'T STOP LOVING YOU", RECORDED AT THE AMERICAN SOUND STUDIO, MEMPHIS, TENNESSEE.

Song starts at 0:35

Album: American Sound 1969 (2019)

It was an American Studio tradition: paying tribute to the chief with a rendition of “This Time,” a Chips Moman-penned hit for Troy Shondell in 1961. Elvis had heard about the rite, and he serenaded his producer at the start of the February session with the few lines that he knew, segueing into Don Gibson’s “It’s My Way,” a song he had asked Freddy to check out the year before. Plunking along on his acoustic guitar, laughing at his own mistakes but singing his heart out, he drew the band into another Don Gibson number, “I Can’t Stop Loving You,” which he would transform into a dramatic show-stopper six month later in Las Vegas. Excerpt from "Elvis Presley: A Life In Music" by Ernst Jorgensen and Peter Guralnick.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

— NOTE FROM AUTHOR COOL, ISN'T IT? 😍 Have you heard the 1969 jam session version before? Don't know about you but I just can't stop loving it. So, now let's hear how that baby sound onstage.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

[FOOTAGE]

LIVE PERFORMANCES OVER THE YEARS

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

REHEARSAL ▼

July, 1970.

LIVE ONSTAGE ▼

"Elvis: That's The Way It Is" (August 1970) "Elvis On Tour" (April 1972)

"Aloha From Hawaii via Satellite" (January 14, 1973)

RECORDED LIVE ▼

Live at Convention Center Arena, San Antonio, TX (April 18, 1972)

Live at Madison Square Garden (June 10, 1972)

High Sierra Theatre at the Sahara Tahoe Hotel, Nevada (May 13, 1973)

Live at Mid-South Coliseum, Memphis, TN - March 1974

Song starts at 0:38:

I can never get enough of how Elvis' history is so amazing. ♥

What are your thoughts about the jam version of "I Can't Stop Loving You" by EP? I'd love to hear from you.

By the way, do you like this track-to-track-history posts? I've written some so far but I have some others I'd like to share too. If you have any requests, any Elvis Presley songs you'd like to know more about the recording sessions or comparisons of the times a same tune was performed live by Elvis over the years, feel free to hit me with it. I sure will have great fun researching it for you.

[black-arcana]

LACUNA COIL Announces 'Sleepless Empire' Album, Shares New Single 'Oxygen'

Italian metal titans LACUNA COIL will release their tenth studio album, "Sleepless Empire" — their first collection of new songs since 2019's "Black Anima" — on February 14th, 2025 via Century Media Records. The official music video for the LP's latest single, "Oxygen", filmed in Latina and directed by Daniele Tofani, that shows singer Cristina Scabbia in the lead role, will make its online debut today at 9 a.m. PDT / 12 p.m. (noon) EDT.

Scabbia commented on the track and her experience filming the video: "'Oxygen' is a powerful exploration of emotional struggle and inner conflict. The lyrics convey a sense of drowning in a toxic environment, both literally (in the video) and metaphorically, where attempts at salvation, represented by 'oxygen' are somehow futile. This song encapsulates the feeling of struggling to break free from what holds us down, when the journey is filled with difficulty. It's a raw anthem of vulnerability, resilience, and the courage to face what seems insurmountable. Having to stay in the water for so many hours during the video shoot was cathartic for me, the realization that the pleasant sensation of floating could in an instant become dangerous and deadly if I wasn't careful was very fitting with the song's theme."

Inspiration to create "Sleepless Empire" came during the sessions for "Comalies XX" (2022),the acclaimed remake of LACUNA COIL's breakthrough third record "Comalies". Writing and recording took place in northern Italy between Milano (the band's hometown) and Como, where SPVN Studios are located. As with their previous albums, production was done in house with Marco "Maki" Coti Zelati at the helm, and artwork was hand curated by the talented Italian artist Roberto Toderico. Two other very special talents enrich the album, namely the guest vocalists: LAMB OF GOD's Randy Blythe on the song "Hosting The Shadow" and NEW YEARS DAY's Ash Costello on "In The Mean Time".

As a token of the band's love for the gaming world (which we've seen in past endeavors such as their card game "Horns Up" and their collaboration with Zombicide for which they wrote the track "Never Dawn"),the band have created an oracle "game" to be played with custom made dice available only in the box set version of "Sleepless Empire".

The new album is comprised of 11 tracks; each one is a richly textured soundtrack to a specific time and place. With "Sleepless Empire", that place is dark, cinematic, and unmistakably true to the unique characteristics that have given LACUNA COIL such a celebrated entry in the annals of heavy music.

The band shares: "'Sleepless Empire' captures, through our eyes, the chaos of a generation trapped in a digital world that never stops, where social media consumes identity and every day pushes us one step closer to becoming soulless zombies. We find ourselves in between, having witnessed a full analogic world and the modern one, confronting the evolution and searching for a true meaning of it all. Throughout every song, the journey is an undercurrent of rebellion, a desperate cry to reclaim oneself in an era that seems to have lost its sense of time and reality."

"Sleepless Empire" track listing. 01. The Siege. 02. Oxygen. 03. Scarecrow. 04. Gravity. 05. I Wish You Were Dead. 06. Hosting The Shadow (feat. Randy Blythe). 07. In Nomine Patris. 08. Sleepless Empire. 09. Sleep Paralysis. 10. In The Mean Time (feat. Ash Costello). 11. Never Dawn

Later this month, LACUNA COIL will embark on a tour of U.K. and Ireland with Finland's BLIND CHANNEL. Tickets are available here.

LACUNA COIL played its first concert with the band's new touring guitarist — whose name has not yet been disclosed — on August 4 at the Rockstadt Extreme Fest in Râșnov, Romania.

This past June, LACUNA COIL announced the departure of guitarist Diego Cavallotti.

Cavallotti, who joined LACUNA COIL in 2016, initially as a fill-in guitarist following the exit of Marco "Maus" Biazzi, later said in a social media post that "this decision is not the result of my dissatisfaction or desire to explore new opportunities."

When LACUNA COIL announced Cavallotti's departure on June 17, the band wrote in a statement: "As we step into a new cycle, writing and recording our next album, we are parting ways with Diego 'DD' Cavallotti. We thank him for the many unforgettable moments shared over the years and wish him the best of luck in his future endeavours."

All future live plans remain unchanged and the new songs are taking form, we can't wait to share them with our fans."

LACUNA COIL recently completed the "Ignite The Fire" U.S. tour with support from NEW YEARS DAY and OCEANS OF SLUMBER.

"Comalies XX" was made available on October 14, 2022 via Century Media Records.

LACUNA COIL celebrated the 20th anniversary of "Comalies", by performing it in its entirety at a one-night-only concert on October 15, 2022 at Fabrique in Milano.

"Comalies" was originally released on October 29, 2002 through Century Media Records. The LP, which featured the band's breakthrough single "Heaven's A Lie", has reportedly gone on to sell over 300,000 copies in the United States alone.

Photo credit: Cunene

[salvadorbonaparte]

2023 in Films

I watched way too many films this year. Here are my opinions on some of them

January

Las Cosas Del Querer (1989) - Amazing if you love sad hot people and flamenco

Canadian Bacon (1995) - Incredibly silly and Alan Alda plays the US president

Nope (2022) - A highlight of the year

February

Hellraiser (1987) - This film is actually about miscommunication in this essay I will-

Predestination (2014) - Time Travel and Gender Moments

Malignant (2021) - Camp horror masterwork

Late Phases (2014) - Mediocre werewolf film with some really interesting comments on ageism, ableism, suburbia and religion

March

Sterne (1959) - Plays into some problematic stereotypes from today's perspective but revolutionary for its time, first German film to address the Holocaust

Major League (1989) - A film I only watched to confirm that it uses a weird phrase I also found in my thesis project

Carry On Screaming (1966) - Camp. Gay. Horror. Parody.

Glen or Glenda (1953) - A product of its time and no longer up to date in its understanding of gender but surprisingly revolutionary in its compassion and earnestness despite the bad reviews

April

Taxi Driver (1976) - Isn't it frustrating when annoying people tell you a film is good and then it's actually good?

June

Mr Deeds Goes To Town (1936) - Mr Deeds has autism swag

El Espíritu de la Colmena (1973) - I really wanted to like this because civil war era Spain and Frankenstein are super up my alley but unfortunately it was so much slower than expected

Das Boot (1981) - Very long and claustrophobic but holds up to the hype

Weird: The Al Yankovic Story (2022) - RIP King

July

Nimona (2023) - His big wet eyes bewitched me

First Blood (1982) - You're telling me the film is about Americans fighting an enemy they view as simultaneously weak and dangerous, escalating the situation, and then sending more and more men into a rainforest to die through guerilla warfare after being warned again and again they can't win this? sounds familiar

Barbie (2023) - Insert a bunch of pink emojis

Everything Everywhere All at Once (2022) - Made me crave bagels

Jojo Rabbit (2019) - God I love war satires

Sweet Liberty (1986) - Alan Alda having fun and also using his own film as a therapy session

The Majestic (2001) - A rewatch but it's so tragically underrated, Jim Carrey is very good in dramatic roles and McCarthy-era media is like catnip for me

Joker (2019) - This is just Taxi Driver with extra steps

August

Tin & Tina (2023) - Probably one of the worst films I have seen in a while

Battle of the Sexes (2017) - I love women

Four Lions (2010) - The ending really got me, I love when satire gets serious

The Sheriff and the Satellite Kid (1979) - Can we talk about how the theme song is just going "I'm the sheriff" "yes you're the sheriff"

Happiness (1998) - Nauseating but in a "good film but what the fuck" way

They Call Him Bulldozer (1978) - Italian Lagaan

The Talented Mr Ripley (1999) - Sad and Gay

Twister (1996) - So much better than expected

Magnolia (1999) - Cloudy with a chance of frogs, a really long but really good film and I'm not entirely sure I got it

Doubt (2008) - Somehow I watched 5 films with Philip Seymour Hoffman that month because I was haunted by his ghost or something

September

The Terminal (2004) - I assumed this to be more of a classic romcom but the whole concept (based on a true story) is so terrifying and tragic that it made me feel all emotions at once

Apocalypse Now (1979) - I knew a lot of trivia about the film but for some reason I didn't know anything about the cast so every single actor was a surprise and made me go "!!!", Also I kinda wanna write an essay about it

October

Bloodbath at the House of Death (1984) - Some of the gay jokes absolutely killed me

Last Night in Soho (2021) - I'm Not Like the Other Girls to Time Travel Murder Nightmare Pipeline, actually I really enjoyed this one but it's also super silly

The Banshees of Inisherin (2022) - How do you say poor little meow meow in gaeilge

The Menu (2022) - I go to the murder restaurant I order the beesechurger, I was super surprised there's no cannibalism but tbh that would have been low hanging fruit

The Eyes of Tammy Faye (2021) - Explains a lot about religion in the US, I love that she was pro lgbt, also I googled her ex husband and he has a prepper/survivalist thing going on now and scams more people

The Darjeeling Limited (2007) - we can't eat pray love ourselves out of this one boys

Holes (2003) - Hated the book as a teenager for school reasons but gave the film a try and really enjoyed it

Renfield (2023) - I expected werewolves but I enjoyed it nevertheless, My Chemical Romance is on the soundtrack, it's very silly, the effects are great

Interview with the Vampire (1994) - Oh people weren't lying about it being homoerotic

The Big Lebowski (1998) - I've had days that feel like that

November

Pappa ante Portas (1991) - Funnier now that I'm an adult, basically half the jokes my mum makes are from this film

The Meg 2: The Trench (2023) - I watched this while sick and really wanted to see a giant shark fight a giant octopus and boy did it deliver

Puss in Boots: The Last Wish (2022) - Very nice animation style

JFK (1991) - I actually fell asleep halfway through because it's so long but can we talk about how this film is just A-listers but has some of the worst wigs and makeup I've seen

Bottoms (2023) - A spiritual sequel to Heathers

December

When Harry Met Sally (1989) - They deserve each other (derogatory) but that one restaurant scene was pretty funny

The Royal Nanny (2022) - one of the many Hallmark films my mum made me watch and this is perhaps the worst one, incredibly sexist even for a Hallmark film and they clearly mean Mi5 but say Mi7 which was a WW2 propaganda service? Also they really want me to believe there is a British prince called Colin and that he doesn't look like his family tree is a circle?

I forgot the title but there was also the one where two people get stuck in a time loop while trying to make a sponsored youtube video about baking and I didn't really pay attention much but man that was bad

[foxes-that-run]

2017 Haylor Timeline

Timeline Tag, or years 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021, 2022, 2023 and 2024.

3 January - Taylor "based in London" (end of Cornelia St period)

5 January - date of Harry’s leak “lately” recorded. Anniversary of clear blue water/rain on window posts which may be their last break up anniversary. He was pictured in London

8 January - Taylor and Zayn film I don't wanna live forever music video in London

13 January - Taylor was in LA papped at the the gym in LA. The scenario she told secret session fans she wrote  DWOHT

21 January - Harry goes to LA

22 January Joe in Paris

28 January - Harry in LA

1 February - Harry's Rose Ring maybe at his birthday in Malibu 1 February 2017. Taylor posts a video of her and Gigi singing along to "I Don't wanna live forever" for the first time on the radio, which ‘happens’ to be on Harry's birthday.

4 February - Taylors only performance of 2017 in Houston. Super Saturday Night, rep coded.

14 February - Tom Hiddleston GQ article where he sounds traumatised, it is bad press for Taylor and later indirectly referred to in the Joe dating announcement.

7 - 19 February - Fans spot Taylor in London, once in a brown wig

24 February - Little Big Town perform, say Taylor is on London

March - Stalker arrested for breaking into Taylors NY apartment

5 March - Rose Ring seen clearly at Studio in London.

7 March - Ed Sheeran seen at Taylors NYC Apartment, he said they would collab again and March 2 said she was working on new music. (End Game)

8 March - Harry at Cottons Rhum Shack London

15 March - Harry arriving NYC with head down

23 March - E New story: "Where in the World is Taylor Swift?" that she had not posted candids since Thanksgiving.

Late March. Behind Album performances likely recorded at Abbey Road, they appear in the documentary in May and Harry was holding Ben’s daughter who looks about 3-4 months. Harry’s hair is also shorter than it was 5 March, a similar cut April 21.

4 April- Taylor recording Rep in Nashville 'to avoid paparazzi'‘. Joe in London. Harry shot Sign of the Times in Scotland. Mirror headline "Harry Styles goes all Peter Pan in his gloriously magical new video for Sign Of The Times"

7 April - Sign of the Times released

10, 16 April - Harry in NYC

18 April - Harry’s rolling stone interview where he leaves the table over her name and tips his hat and ex because it’s all for them. Harry possibly shades Matty Healy:

There’s nothing worse than an inauthentic tortured person. ‘They took my allowance away, so I did heroin.’ It’s like – that’s not how it works. I don’t even remember what the question was.”

21 April - Harry on Graham Norton, performs sign of the times and writes Spanish girl that later leaks backstage.

26 April - Harry in Paris for nrj

29 April - Harry is papped wearing the same St Laurent shirt Calvin copied for the Ole music video, on the date Taylor later identified in High Infidelity.

1 May - Taylor filmed LWYMMD Video, Harry London 2 & 7

6 May - harry driving in London using phone behind wheel wearing packers hat with Tess ward

7 May - Tess ward wore a shirt Harry wore in an interview

8 May - Harry in Williamsburg

9 May - Harry today show with the pink suit when he performs Stockholm. Xander and Jeff there. left NY

11 May Tess ward posts a photo of Harry’s kitchen with his cap in and is never seen again

12 May - Harry styles debut released, behind the album released just after. Cute Nick Grimshaw interview with 2 ghosts question

15 May - Harry behind the album released, includes parts of performances. Taylor paped in Nashville and flys to London in Charter (not her plane)

16 May - The Sun reports a source that Joe and Taylor dating 'for several months.' "after what happened with Tom Hiddleston", reminding me of the Tom GQ article from February. Having not been seen at all with Taylor previously Joe will now be seen 20 times for the rest of the year. The way this changed from completely unknown to very public (but saying it wasn't??) is .... sure they were totally together before this. Harry went on Carpool Karaoke wearing Haylor ring

18 May - TMZ pap photos of Taylor in Nashville

19 May - Harry at troubadour ONO. James, Jeff and Xander there carpool karaoke, Harry sang IKYWT in broadcast not you tube. Stevie Nicks comes, Harry emotional on stage in Landslide with Stevie Nicks. The music business people there were impressive, including the then head of the recording academy and Grammy voting member Savan Kotecha, who wrote WMYB, had fell out with 1D and some members but remained close with Harry.

20 May - Harry lists LA house, reported on the 22nd, sold in 2019.

1 June - Joe and Taylor papped together

5 June - Joe mention in blinds and seen having coffee. Harry rumoured in Hawaii with Jeff at wedding.

9 June - Taylor returns her music to Apple Music on the same day Katy Perry releases Witness.

11 June - Joe and Taylor and her plane

18 June - Joe and taylor spend fathers day in London with his dad

15 June - Harry follows Camille on IG, fans abuse her.

17 June - Harry attends Pixie Geldof's wedding in Mallorca, Louis rumoured to be there but no photos of Louis. Daisy Lowe is a bridesmaid.

20 June - HS stepdad passed away :( H Tess BUA

21 June - Mirror: "Taylor Swift "hosted Father's day for boyfriend Joe Alwyn and his parents - who served up a classic Sunday roast"" also referring to Joe as a 'new boyfriend'

24 June - Joe and Taylor at gym together

July - Harry NY in bar with Xander

4 July - Karlie Kloss posts a photo with Kendall in Paris, the internet realises KK is not in the squad. Taylors inflatable slide seen being inflated - but no 4th July party for Taylor. Blind item that Taylor skipped the party because Joe would not do a photo shoot.

13 July - Taylors last post before her socials wiped was to promote Selena's album. Reputation promo planning underway, Joe was announced a month before.

14 July - End Game written. Kendall came to Harry's show.

21 July - Harry and Camille seen together, Nick mentions her and she is in the background of a fan photo.

19 July - Dunkirk released

24 July - Joe and Taylor walking NYC

27 July - Joe and Taylor with umbrellas this time

29 July - Harry in NY

7 August - two ghosts release date

14 August - Taylors sexual assault trail v David Mueller, from his hand allegedly under her skirt in 2013 is settled and Taylor wins damages of $1.

27 August - LAWYMMD video, Karlie not on junior jewels shirt, Kendall tea time reenactment, Katy car crash and she eats a lobster in a cage.

28 August - Taylor deletes instagram

31 August HS releases two ghosts recording from Behind the album performances

3 September - Taylor at Abigail's wedding Martha's vineyard. Ready for it...? released after Saturday football preview.

7 September - Joe and Taylor NYC

9 September - Joe and Taylor in NY at Cornelia St

Sept 2017 – 14 July 2018 - Harry Styles Live on Tour

19 September - Harry points at himself on ‘I’m a fool for you’ in JALBOYH

25 September - Watermelon Sugar written

20 September - Harry LA, Greek Theater, wears same custom Gucci suit as Kiwi Music Video, with roses. Shania Twain comes and posts a photo of them together. Plays 'Still the One' on Kazoo in Grammy Museum interview. Taylor at Cara's London for month

27 September - Harry released Two Ghosts and Girl Crush as a Spotify Single recorded in Metropolis London, and photos of him recording it. Two days before he performed it in Nashville

28 September - Harry wears red in the Radio City music hall, NY plays Story of My Life in full and has an aborted heart kiss.

29 September - Taylor releases Spotify playlist of 70 songs. Anniversary of Harry’s “we don’t need no piece of paper tweet” and Harry’s another man mixtape. Song 7 is Boys, 20 is Liam Gallagher "for what's worth", followed by "miss you". 27 is We don't deserve love, Niall Horan is at 37 "Too much to ask", it also features Ariana Grande, Kesha, Kings of Leon, Bon Iver, 57 is Perfect by Ed Sheeran, the same name as the 1D song. It ends with #70 'She's casual' about a guy falling in love with a fling.

11 October - Taylor in London with Joe's family

14 October - Phoenix - Harry cries during Meet me in the Hallway (1:39). After “I walked the streets all day” before “running with the thieves”. This was Harry's last US show

16 October - Taylor films End Game music video in London

4 October - Rob Sheiffled on Swiftcast Podcast

Well, I mean, it's funny because that's a special case because her Harry Styles songs are really good and his songs about her are really good, and it's really kind of weird that, like, you know, the songs they write about each other are so consistently good, I can't think of any analogic pop history to it, where these two artists of that stature are going back to, like, who knows even, like, you know, how long they dated or anything like that, or, like, and of course all these songs are just, you know, allegedly about the other one, but when I was listening to the Harry Styles album for the first time and I heard him sing about, you know, like, you know, why can't we just be us in the refrigerator light? And I was like, oh my god, you went there. You went to the refrigerator light. I mean, really kind of, you know, mind- blowing. Even when I was listening to the last One Direction album, and that was another one where I was, you know, listening to it in the record company offices and had to keep a real straight face because you don't want to show any reaction. I get to Olivia and I'm like, seriously? Harry wrote a song named after her cat? Did they not think people would notice this kind of thing? But it's kind of a beautiful thing. It's that kind of inspiration that they bring out of each other.

October - Liam said he saw Harry at the Bowery Hotel “I bumped into him in The Bowery Hotel. He’s been through a rough time recently. God bless him, he was really happy to see me. The funniest thing was we didn’t really talk business. Dunkirk was out and all this was happening, and we just gave each other a big hug.”

20 October - Taylor reportedly likes a post "I’m here to drop some tea listen up and listen good!! Any love song Taylor writes now is about Joe and only Joe. She is so happy and this is about them. And only them. This is confirmed. It's a rule. Joe love songs from here on out, this goes for all of Reputation. No speculating if it is about Taylor’s ex from a million years ago because I promise you it’s not. Joe and Taylor. Happy. The tea has been served."

25 October - Harry performs in Paris, he cries on 'even my phone misses your call' twice in FTDT (1:53 and again 3:30). Taylor was in Nashville for Rep Secret Sessions.

2 November - Call it what you want - Taylor posts home movies that are in the CIWYW lyric video.

8 November - kiwi video released with Taylor looking kid

11 November - Taylor in NYC

10 November - Reputation released end game radio single on 14th

13 November - blind item that This Is What You Came For was about Harry

17 November - the HS behind the album performances released, first seen in BTA

28 November - Harry performs VS Show, Taylor cancels. New Years Day released as a single 27 November.

29 November - Derek Blasberg (fashion journalist reportedly the person KK had in TS apartment that ended friendship) posts a photo of KK sipping tea and asks for captions then comments "I knew brew were trouble when I met you"

4 December - Harry Haneda Airport

8 December - Joe and Taylor papped holding hands NYC

10 December - Taylor performs then watches Ed's show with Joe at Jingle Bell Ball London

12 December - Taylor and Joe in NYC

13 December - Reputation Stadium Tour tickets go on sale

31 December - Joe and Taylor NYE (Toe Twitter timeline)

Continue in 2018

[eksentrismi]

What was the moment that you started simping/liking McLeach, Sykes, and Rourke?

Oh gosh, I found out about those guys one by one actually during like..... 2018-2019. First I had a brief fanboy-phase over Clayton. Then it quickly went to an obsession over Sykes, after I saw a random screenshot of him on Google Images. And then I found Rourke, yet again because of one screenshot of him among the depths of Google Images.

And then in February 2019, on one fateful day, during another one of my browsing-sessions among the depths of Google Images, in my autism-filled obsession (fun fact: I was diagnosed with autism later that year)..... I saw a screenshot of another villain. And I'm not even kidding, it immediately triggered a sudden flashback right to my childhood, once I found out who the villain was and like I immediately remembered how I used to watch the RDU-movie, over and over again as a kid.

This frame. This is that exact frame I saw on that fateful day.

And you probably can guess rest of the story. Yup, soon I had lots of tabs open on my internet browser, full of trivia either about him or my other fave Disney-villains, tabs full of images and screenshots, video editing-software open at all times just for dissecting the film and analyzing it..... yeah.

[endlich-allein]

Hello, I just wanted your opinion and thoughts of rammstein 30th anniversary, like do you think we will get the 2019,2022 dvds or even hopefully the velodrom 2001 full concert dvd, and what about some of the official making of videos of angst and other videos of the zeit album, and we can't forget about the new documentary, so do you think we'll get any of these things this year for rammstein 30th anniversary 🤘🏻🖤

Hi 🖖🏻

What do I expect from the group's 30th anniversary !?

First on stage I would like to see old pyro effects again like for example Till's coat of flames, the dragon masks or even Engel's wings (even if I don't want Till to hurt his back) 🔥

And also I would love to see Bück Dick (with the Tillake moment) and Pussy (with the cannon) again (although I have very little hope 🙄)

And also the mini b-stage at eye level with the public (even if I know that in a stadium it's complicated).

I don't have too many expectations for the setlist, I would just like a few surprises compared to the last three rounds.

And why not a slightly "loud and hard" first part, a bit "Rammstein old-school", like with Clawfinger 🤘🏻

I'm waiting for the live DVD but I don't really know which images will be there: those filmed in Vienna in 2019 and/or those from Mexico in 2022. I'm not sure they can make a mix of the two as there are quite a few differences between these tours...

We also know that they filmed some videos in Mexico, we have already seen those of Richard and Paul but the context of these images has not been officially clarified. Nor if the live DVD will be paired with the documentary.

Besides, I'm waiting with even more impatience for the documentary which has just been finished at the start of 2024.

We know that it should be divided into 4 parts/episodes (broadcast on a streaming platform) and include archive images of the group, in particular live images (well those which have not been leaked since certain "fans" (?) have again embarrassed the group by publishing videos on YouTube which were originally planned for the documentary thus causing a delay in production 😡).

And we know from Paul's own mouth that the song Ramm4 should be published alongside the documentary. I don't know if there is a date planned at the moment: before, during or after the tour...

I don't think we will have any other DVDs this year, especially from an old concert like the one from 2001 in Berlin. If it comes out one day, it will be on their YouTube channel.

What I would like to see in the documentary :

- We know that there will be interviews with the guys so I would like them to tell us funny anecdotes, their best memories, stories that they experienced together, to tell us what unites them still today, etc ;

- Images from before Rammstein, from their lives in the GDR, from their musical beginnings with Feeling B, First Arsch, Die Firma, etc ;

- Interviews with those close to them and their views on the guys, their beginnings and their evolution into an international super band ;

- I would like images of the band in recording sessions and rehearsals, to see how they think about what they are going to do on stage, behind the scenes in a way, how they work ;

- I would also like some new images from backstages, I love the photos we got but on video it must be even better ;

- Obviously I would love to have the making of the most recent videos: Deutschland (I'll be very very very very very disappointed if I don't see it this year 🙏🏻), Adieu, Zeit, etc.

I would also like a best-of with unreleased songs, we know that the guys have recorded songs over time that have never been published on an album so it would be cool if they offered them to us today.

I don't really know what else to expect, I want to be surprised🥳 And please, Rammstein, don't sell your new merch too expensive, I'm out of money 🥲

[c-schroed]

Gosh I Need Movies Like "Dungeons & Dragons: Honor Among Thieves"!

Frankly, I'm still a bit surprised by how much I love "Dungeons & Dragons: Honor Among Thieves". I mean, I was very much looking forward to the movie because everything about it just felt right, and I even noticed some fear of disappointment when finally entering the cinema. But it did not disappoint. Gosh, how it did not disappoint.

There's so much for me to love about this movie. To name just three things, it has

a marvelously told story (the exposition was quite nice, but the escape from Revel's End prison really set the stage for that hell of a ride which followed),

a very inspired cast playing absolutely dashing characters (I now have a crush on at least two of the main characters! 😅), and

visual effects and set designs with creativity and attention to detail that I have not seen in what feels like an eternity (the very first shot of Neverwinter already made me want to see this city in all its lovely details).

So yes, I left the cinema as overwhelmed and enthusiastic as I had hoped to be. And much to my personal joy you guys here at Tumblr opened up just another level on which this lovely little movie could excel: I have never played "Dungeons and Dragons" (I know a lot about the mechanics and lore thanks to "Munchkin", though 😅), so reading about how much the movie feels like a true DnD session was very insightful, and it even made me see some of its flaws in a new light.

And then it struck me: "Honor Among Thieves" is that very rare type of movie that I really, really need from time to time. A true feel-good movie whose production process brought people together to tell a special story that usually has already been around in some form before. A fantastic, entertaining tale that can be enjoyed - and I cannot stress enough how important that is - utterly unironically and unapologetically.

The first movie of this type that I remember watching is "Sky Captain and the World of Tomorrow" from 2004, and it has been one of my absolute favorites for a long, long, time. So much energy, and so much fun! But there are more. I'm talking about movies like "The Hitchhiker’s Guide to the Galaxy" (2005), "The Men Who Stare at Goats" (2009), "Tron: Legacy" (2010), "Real Steel" (2011), "John Carter" (2012), and "Booksmart" (2019). Yeah, that kinda was an advertisement for films I still have a crush on. Sorry not sorry.

The downside of this type of movie, because of course there's a downside: They only seldom make a profit. And "Honor Among Thieves" is not an exception to this rule, having grossed about 125 Million USD worldwide at the box office so far, while costing roughly 150 Million. But you know what? That's fine. Big Hollywood studios regularly make a fortune with mainstream blockbuster stuff that I don't even care to remember after I skipped the advertisement promoting it, so it's only fair for them to make a monetarily stupid decision from time to time that will make me oh so happy.

So, long story short: As long as studios like Paramount Pictures keep making marvellous darlings of a potential (or actual) flop like "Dungeons and Dragons: Honor Among Thieves", I will not even begin to begrudge the obscene amounts of money they get from too-big-to-fail box office hits like "Top Gun: Maverick".

[spawn-universe]

Comic book creator Todd McFarlane talks Spawn reboot, working with Ozzy and competing with the giants

Credit Calgary herald

Todd McFarlane has not forgotten the vow he made to Calgary back in 2017.

At the time, the comic book artist, producer and toy entrepreneur was a guest at the Calgary Comic and Entertainment Expo and was asked about the long-gestating reboot of Spawn, which had spent years in developmental purgatory. He told the audience at the Stampede Corral that the film would hold its premiere in Calgary if he gets it “off the ground.

Fast-forward six years later McFarlane says the film is back on track. A-list writers Scott Silver, who co-wrote the 2019 hit Joker, and Malcolm Spellman, who created the Disney+ superhero series The Falcon and The Winter Soldier, are currently working on the screenplay. Jamie Foxx has long been attached to play the lead role, a superhero/antihero that McFarlane first created at the age of 16 in his parents’ basement near Crowchild and 24th Avenue N.W.

The 1992 comic book debut, which came out on McFarlane’s Image Comics, sold more than 1.7 million copies and the Spawn series holds the Guinness World Record for the longest-running, creator-owned, superhero comic book title. There was a 1997 live-action film with Michael Jae White, which grossed more than $100 million, and an Emmy-winning animated series that ran on HBO from 1997 to 1999. The reboot has been in the works in one form or another for years.

“On the movie front, hopefully – fingers crossed – by the middle of this year we should be making a big announcement that we found our studio, we made our deal and potentially, as part of that deal, they’ve given us our production start date,” says McFarlane. “Really, all fans care about is ‘When can I go see it?’ But at least I’ve got to be able to say ‘This year. We’ve got the money, we’ve got the backing and we’ve even got a start date.'

When it does come out, McFarlane still wants to hold one of the premieres in his hometown.

“Let me tell you right now, if I possibly can, I’m putting it into the contract,” McFarlane says. “It might be the dealbreaker. And I get two premiere spots. I live in Phoenix, I think the Phoenix people will come out in droves because they did the first time we did Spawn. I think they will come out in droves and have a good time in Calgary. That’s it. There it is: If you don’t give me that, then I pull this entire deal. I’m going to see if I can negotiate that.”

McFarlane was back in Calgary this week visiting family. On Sunday, hundreds of fans showed up at Video Game Trader in Lake Bonavista for an autograph session. In 1981, the William Aberhart High School grad left Calgary at the age of 18 on a baseball scholarship to Eastern Washington University, where he studied art and design. Within a few weeks of graduation, he got his first comic book job for Marvel. He would go on to illustrate for both Marvel and DC, drawing for Batman: Year 2, The Amazing Spider-Man, The Incredible Hulk and co-creating the Spider-Man villain/anti-hero Venom.

But he is arguably still best known for creating Spawn and for co-founding Image Comics in 1992, which also became home to Robert Kirkman and Tony Moore’s Walking Dead comic-book series. In 1994, he revolutionized the toy industry with the realistic action figures he created for McFarlane Toys. In 1999, he won an Emmy for the animated Spawn series and earned a Grammy nod for directing Pearl Jam’s animated video for Do The Evolution. The following year, he won a Grammy for directing the video for Korn’s Freak on a Leash.

Late last year, he returned to the medium to direct the video for Ozzy Osbourne’s Patient Number Nine, which resulted in a lengthy feature in Rolling Stone magazine about McFarlane’s work in music videos.

“The request came from (Ozzy’s wife) Sharon Osbourne,” McFarlane says. “I knew her from the past. We had done some stuff with toys and comic books with her and had always done well. In the pre-preparation for shooting, I was dealing mostly with the record label and Sharon. I’m sure she showed everything to Ozzy to get the sign-off. The day of the shoot, that dude was a pro. It’s one thing I’ve always been super impressed with for all the music videos I’ve been involved with. When you say ‘Action,’ all of them are performers. They know what to do when they are on stage. This switch goes on and they just do it. At that point when we shot it, I think it was about a week before his back surgery. He just had pretty extensive back surgery and was living in severe pain. You could see he was in pain and his mobility was limited and all that. So he paced himself, which is what a smart person would do. But when I said ‘Action,’ he turned into the 25, 30-year-old Ozzy.”

On top of the promising developments in the Spawn reboot, McFarlane has continued to find success in both the comic book and toy worlds. He credits the relatively small group of people he works with for the company’s David-versus-Goliath success.

“I’ve got a good core of people,” he says. “We’re scrappy. We’re the Bad News Bears of our industry.”

In 2021, Spawn beat out behemoths DC Comics and Marvel to become the No. 1 selling comic book. That same year, his Spawn spinoff titles – Scorched, Gunslinger Spawn and King Spawn – broke sales records. Last year, the crossover Batman Spawn title became a bestseller.

McFarlane Toys’ beat out Fortune 500 companies such as Hasbro and Mattel with the bestselling action-figure line of 2021. The company is currently licensed to create figures for Black Adam, Shazam, The Flash and Batman movies for the DC Multiverse, James Cameron’s Avatar, Dune and even Ted Lasso.

“Their size is their blessing and their curse,” says McFarlane about the giant corporations he competes with. “I could say the same thing about my smallness: it’s my blessing and my curse. Here’s the blessing: I can move quick, I can move fast. Here’s their curse: They are so big and bloated, they can’t move fast. If I see an opening, I can see that opening way faster than they can get into it. I’m not trying to compete, let’s say on the toy front, directly with what the giants are doing. I’m not trying to slay the giants, that’s not the victory. The victory is saying: Where have they left the gap?”

[hueylengyong15]

The top five Amusement Parks that I planned to go to in the future:

Escape Theme Park in Paradigm Mall:

Two years ago, before the start of my Senior year, we wanted to plan a trip to Escape after finishing our final year exams. However, this idea failed because the other students from another campus had booked a trip earlier to enjoy the last day of the second term.

I was sad that we could not go on a field trip with our class due to the online classes that were conducted by the teachers in Canada. It was also a bummer as we were getting bored in class, we would always use our laptops to entertain ourselves.

I did not go to Escape last year because I had to finish many assignments and do the final exam before the deadline that my lecturer gave me. This made me super stressed out because I wanted to go out with my friends instead of being stuck at home doing nothing after finishing my assignment.

2. Genting Skyworlds:

This was another outdoor theme park outside of Selangor that I had not been there since almost fifteen years ago, ever since my first trip to Genting Highlands back in March of 2009. I initially wanted to plan another trip to my childhood place since they have Bluesky movie franchises such as Rio, Epic, and other attractions related to films and television shows.

In June of 2022, we wanted to go on a day trip to Genting, but some rides did not open yet due to the soft opening and some plans in the future. The date was pushed back to this year due to many assignments this year.

Before the second-semester break ends, I hope there won't be a long queue when I try out the attractions as planned. As for the indoor theme park, next time when one of the lecturers hosts a field trip, we could all have fun after the final exam ends.

3. Super Nintendo World in Osaka, Japan: As I heard about this place on Facebook, I researched their website online on what attractions would be there for me to try one day when I go on a holiday break to Japan. When I saw some pictures on the website, I found out that there was a real-life Mario Kart for me to ride on.

I heard this park would have a meet and greet session with Mario, Luigi, and Princess Peach once you enter the park. As mentioned by the staff members, this place allows you to take pictures which allows me to keep them in my photo album or have them printed out in the souvenir shop. I also wanted to try all of the food at Nintendo World, so I could show my friends what I enjoyed the most.

4. Adventure Waterpark Desaru Coast: This waterpark has five different themed areas ranging from Shipwreck Reef to Penawar Falls. In 2017, I asked my parents to bring me there to this place during the summer break after the exams were over. However, my dad said it was too far for us to go because we had to stay at the hotel overnight and this wasn't the right time for him to go out with me because he had work to do in the office then.

I dreamed of trying the Kraken's Revenge Water coaster as I have never ridden on a rollercoaster on the water before. Presumably, next year if the last day of the semester is over, then we could all take a trip there and have some fun in the sun to take away all of the assignment stress in all of our classes.

5. Lotte World:

I haven’t been to this popular indoor theme park since 2019 when I went on a short holiday to Seoul during my winter break, I wanted to try all the rides that were suitable for me to make memories of having a fun trip for me and my family to go there.

One of the attractions that I rode was the Conquistador, a pirate ship from Spain that rotates at a 360-degree angle which is similar to the Tomahawk ride from Sunway Lagoon where there were two cars instead of a single car. As I got on the ride, I yelled, "This was the best ride that I have ever ridden in my life!"

Another ride that I visited was the Fly Venture, a VR ride that featured 4D animation. When I entered the area, I was very impressed that they had a steampunk-themed attraction and a flying theater which made me feel that I was flying on an airplane in the sky. Overall, this attraction was the best theater ride in the world, and one day, I would try this five times over and over again.

I also tried the other rides such as the Balloon Race, Camelot Carousel, Desperado interactive shooting game, and many other rides which I rode by myself before the park closed for the night.

When I went to Lotte World, I tried my luck to get a prize from the hammer game. However, I won a free lollipop, and my parents told me I did not need every toy from the amusement park because I had too many toys on my bed as it would be too crowded for me.

The park has a variety of food and beverages ranging from Korean to Western cuisine. Although the food was not that expensive, I managed to get Spaghetti Carbonara and their castle pizza from TGI Friday's Lakeview restaurant which was okay compared to the food from the Malaysian TGI Friday's.

I wanted to plan a trip for myself including my old school friends when we have time. When I get a job after graduating from college, I will go for an internship first to see if they can accept me working there. Once this idea is done, I can start my first day at work and earn some money for my basic necessities before I can go on holiday alone or with some good friends.

I hope some of our plans work out this year and next year. If not, it's okay, there's always next time when things don't work out the way we plan with our friends.

[dannyfoley]

Dr. Stacy Alaimo

(she/they)

Professor of English, Director of Graduate Studies for English;

Core Faculty Member, Environmental Studies;

COLT Participating Faculty; CSWS Faculty Affiliate

University of Oregon

I write about the strange and often volatile relations between environmentalism, science, theory, literature, art, popular culture, and gender. My concept of trans-corporeality links material feminism, new materialism, environmental justice, and environmental posthumanism. While my first three books build one coherent theoretical argument, my recent work turns to ocean life, developing the "blue" or oceanic humanities along with marine science studies.

Current Project:

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The Abyss at Hand: Aesthetic Encounters in the Science, Art, and Literature of Deep Sea Creatures.

This book investigates the science, art, film, science fiction, and science writing about deep sea creatures, from the work of William Beebe and Else Bostelmann in the 1930s to the Census of Marine Life, which concluded in 2010. It investigates how aesthetic recognition of deep sea creatures scrambles scientific epistemologies and expands the terrain of environmental concern. I grapple with colonialist global visions, critique white masculinist narratives of exploration, analyze the categories of the surreal, weird, and alien; and swirl together emerging theories and methods in the blue humanities, while suggesting a more fluid and potent sense of the aesthetic. As the threats to ocean ecologies accelerate and the deep seas receive scientific, popular, and political attention, I hope this book will incite more discussion of the abyss at hand.

Exposed: Environmental Politics and Pleasures in Posthuman Times (Minnesota 2016) contends that the anthropocene is no time to set things straight. The book resists the temptation to engage in any sort of grand mapping that would be inimical to the embedded modes of epistemological, ethical, and political engagement that it traces, working instead through a surprising mix of theory, science, art, and activism. It begins by considering the pleasures of inhabiting places where the domestic refuses to domesticate and the walls decline to divide. It ends with an imaginary inhabitation of the dissolving shells of sea creatures who epitomize extinction in anthropocene seas. Along the way it considers queer animals, naked protests, the strange agencies of plastic pollution, and the gendered politics of climate change. Dwelling in the dissolve, where fundamental boundaries have begun to come undone, unraveled by unknown futures, can be a mode of ethical engagement and political inhabitation, which emanates from both feminist and environmentalist practices. Exposed locates new materialisms and material feminisms in fleeting ethical moments and compromised political sites that make up the massive temporal and geographical expanse of the anthropocene.[Cover art: Marina Zurkow, video still from "Slurb."]

Italian translation, published by Mimesis, 2023.

Korean translation, translated by Myung-Joo Kim, Chungnam National University Press, 2023.

Chapter,“Eluding Capture: The Science, Culture and Pleasure of “Queer” Animals,” translated into Greek by John Giannis/Rigas Ioannis, for a DIY activist zine, with new illustrations, 2017.

Inspired special issue of Simulacrum magazine (Amsterdam) “Practicing Exposure.” Including an interview with Max Litjens and Michelle Geraerts, 2019. http://simulacrum.nl/2019/call-for-papers-practicing-exposure-simulacrum-x-fiber-festival/

Special session, “Author Meets Readers” at the Association of American Geographers, 2018.

Podcast Interview, with Chris Richardson, This is Not a Pipe, February. 2018.https://www.tinapp.org/episodes/exposed

U of MN: Blog post: “Climate Change, Carbon-Heavy Masculinity and the Politics of Exposure” http://www.uminnpressblog.com/2016/10/climate-change-carbon-heavy-masculinity.html (October, 2016)

Culture of Energy Podcast, #39, with Cymene Howe and Dominic Boyer, Center for Energy & Environmental Research in the Human Sciences, Rice University

Podcast interview: New Books in Environmental Studies, New Books Network: Feb., 2017.

Finalist for 2017 ASLE Book Award for Ecocriticism

Bodily Natures: Science, Environment, and the Material Self (Indiana UP, 2010). Environmental justice, environmental health, and material feminisms occupy the "trans-corporeal" sites where body, place, and substance intersect. Bodily Natures develops my new materialist, material feminist conception of environmental thought and practice. [Cover art: "Toxic Girl," Fawazo.]

Winner of the ASLE Book Award for Ecocriticism, 2011

Featured in New Books Network interview and podcast, 2013: http://newbooksnetwork.com/stacy-alaimo-bodily-natures-science-environment-and-the-material-self-indiana-up-2010/

Plenary book session at the International Association of Environmental Philosophy, Eugene, Oregon, 2013.

Korean translation,by Joon Yun, Konkuk University, Seoul, Institute of Body and Culture, published by Greenbee, as 말, 살, 흙, Word, Flesh, Dirt, 2018; second printing, 2018.

Chapters translated into Portuguese, Spanish, Polish,

Key concept, “trans-corporeality” taken up widely in humanities and social sciences, and included as an entry in Rosi Braidotti’s The Posthuman Glossary

Art exhibit, “Transcorporeality” at the Museum Ludwig, Cologne Germany, Fall 2019; published essay in catalogue, Fall 2020.

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Undomesticated Ground: Recasting Nature as Feminist Space (Cornell 2000) Written during a time when academic theory spurned the concept of "nature," this book delves into the negative discursive histories of that term, while posing more positive visions for feminist environmentalisms. By drawing on poststructuralist feminist theory and cultural studies, I advocate gender-minimizing, queer, intersectional feminisms that recast nature as feminist space. Darwinian feminists, Marxist feminists, birth control activists, postmodern artists and novelists, and queer writers reinvent the concept of "nature," contending that culture, not "nature" is the ground of essentialism and gender normatively. [Cover art: Ana Mendieta.]

Excerpts on “Mother Earth” reprinted in Nuda Paper(commercial paper sold in Stockholm, Paris, Berlin, and London), Fall 2019.